| Project Detail |
Haunting in indentured labour narratives in African archipelagos
Portuguese colonialism in Cape Verde and São Tomé and Príncipe introduced a system of indentured labour known as contrato. It involved unpaid labour for a specific period to cover the costs of immigration to America. Examining its evolution in these African archipelagos is of significant importance. The MSCA-funded GHOST project will study the cultural memories of indentured labour under Portuguese colonialism in these areas, starting from the 20th century onwards. The project investigates narratives from various sources, including literature, music, cinema, interviews and more. GHOST employs the concept of haunting to delve into the experiences of colonial indentured labour. It explores how ghosts and hauntings are interpreted as spiritual entities, rhetorical tools and means of marginalisation.
This project provides the first comprehensive study on the entangled cultural memories of plantation indentured labour under Portuguese colonialism in Cape Verde and S. Tomé and Príncipe, from the 20th century onwards. GHOST addresses a gap in global plantation studies, predominantly focused on the Americas, by exploring how and why the narratives of indentured labour, known as contrato, change over time in these two African archipelagos. Drawing on original and detailed empirical research, GHOST analysis is based on a diverse set of visual, oral and written sources – among others, literary texts, music, cinema, interviews, newspapers articles, photographs, letters, laws, reports (and other official documentation) – through which the project will trace the multiple and sometimes divergent Cape Verdean and Santomean narratives linked to plantation work and contrato, how they are mobilized, and their changing symbolic and political uses through time. The originality of this project derives from a ground-breaking interdisciplinary approach to colonial indentured labour underdeveloped experiences using the conceptual framework of haunting. It argues for three distinct readings of ghosts and hauntings: as spectral agents – or the return of the dead as spirits – that, by transcending fixed boundaries of time and space, through ritual possession or other mechanisms, can disrupt dominant narratives of the past; as a rhetorical device for addressing colonial violence and its persistent legacies in the present, discussing notions of historical injustice and representation; and as an active process of ghosting concrete subjects, regarded as unworthy of social recognition, by disqualifying and dehumanizing them. Suggesting a move towards decolonising haunting, the project, interdisciplinary in nature, enables a critical dialogue between memory studies, cultural history and postcolonial theories, contributing to contemporary efforts of decolonising colonial-imperial pasts. |
